GHASTLY NIGHT Helsinki, Finland
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In the music of Paul Jordan, digitally manipulated field recordings become striking electronic songs that feel eerie and surreal.
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Deep ambient tracks that feel like swimming down into the ocean, light fading and marvelous new worlds appearing.
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Made over the course of four dark months, Reece Thomas’s new record features synth compositions that are both beautiful & unsettling.
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Paperbark buries short sample snippets in a deep ocean of electronics, to mesmerizing effect.
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The aptly-named Hauntings write songs that are sinister and moody—the seconds in a horror film right before the jump scare.
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